‘Exactement. “So it’s like you’re a dead end?” He asked innocently. On the groundfloor the shutters were closed, or, to speak more correctly, altogether nailed up, and presented a very singular appearance, being patched all over with the soles of old shoes, rusty hobnails, and bits of iron hoops, the ingenious device of the former occupant of the apartment, Paul Groves, the cobbler, to whom we have before alluded. Pragmar, the wholesale druggist, who lived three gardens away, and who had been mowing his lawn to get an appetite for dinner, standing in a fascinated attitude beside the forgotten lawn-mower and watching her intently. After that, we'll go our several ways.
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