He was so depressed and disheartened that he did not then believe he would ever write again. Pramlay received them in the pretty chintz drawing-room, which opened by French windows on the trim garden, with its croquet lawn, its tennis-net in the middle distance, and its remote rose alley lined with smart dahlias and flaming sunflowers. Stanley, at the door. They don’t catch on to discursive interests, you see, because they are more serious, they are concentrated on the central reality of life, and a little impatient of its—its outer aspects.
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