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" His attention being thus drawn to the bank, the carpenter beheld three figures, one of whom bore a torch, leap into a wherry of a larger size than the others, which immediately put off from shore. ‘Alcide’ or no ‘Alcide,’ there is not a music hall manager in London or Paris who would not give you an engagement on your own merits. Opposite the gallows was an open gallery, or scaffolding, like the stand at a racecourse, which, on state occasions, was crowded with spectators. And then—this sudden thrust.
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