He was almost frightening in silhouette, his hair uncontrollable under the best of circumstances, but that changed when you saw his face. The prodigious success of the "Beggars' Opera," which was produced about four years after the date of this history, rewarded him for all his previous disappointments, though it did not fully justify the well-known epigram, alluding to himself and the manager, and "make Gay rich, and Rich gay. “Don’t know me, eh? I like that. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare.
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