"The Dutchman was right, after all. Paris looms behind—a tragedy of strange recollections—here she emerges Phœnix-like, subtly developed, a flawless woman, beautiful, self-reliant, witty, a woman with the strange gift of making all others beside her seem plain or vulgar. His vocal collection comprised a couple of flash songs pasted against the wall, entitled 'The Thief-Catcher's Prophecy,' and the 'Life and Death of the Darkman's Budge;' while his extraordinary mechanical skill was displayed in what he termed (Jack had a supreme contempt for orthography,) a 'Moddle of his Mas. The conflict was of short duration; for Shotbolt was no match for his athletic antagonist.
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