The door into the passage offered itself with an irresistible invitation—the one alternative to a public, inexplicable passion of weeping. Indeed, almost insensibly Ann Veronica became habituated to the peculiar appearance and the peculiar manners of the people “in the van. Claude du Val himself couldn't have carved it better—ha! ha!" The name inscribed upon the beam (of which, as it has been carefully preserved by the subsequent owners of Mr.
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