Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. Art was everywhere, underfoot in the form of mosaics, overhead in the form of architecture. This man and he were alike, and about the same age. One or two of the tables were occupied by groups of fat frowzy women in flat caps, with rings on their thumbs, and baskets by their sides; and no one who had listened for a single moment to their coarse language and violent abuse of each other, would require to be told they were fish-wives from Billingsgate. "How, Sir?" "Except by adoption. She was as pale as death, but she seemed to have lost the power of movement. She says she will have to, though she does not wish to. " "You'd better send him," jeered the turnkey. " "With all his cunning, he may meet with his match," continued Kneebone, laughing.
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